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1172
#1 (the artist's wife, Phyllis) from 41 Etchings Drypoints
2094
#12
4229
#12 (from the Bemis Journal)
3694
#13, #21, and #28 of 30 from the portfolio "On A Clear Day"
4179
#22s
2262
#9012
2263
#9101
3702
$he
2259
"One" from the "Works with Paper" series
3201
"The Unspeakable Compromise of the Portable Work of Art": Number 2 in a series of 16 (purple and red)
1599
Überquellender Brief [Overflowing Letter]
3906
(1-10) x 2 (b)
3907
(1-5196)
2429
(1-D .v )=
1895
(Untitled) Stations of the Cross
1889
(Untitled) Stations of the Cross Drawing
1929
(W)rapt Head
2989
---:Since I Praise
2720
01.96.06
2300
1, 3, 4, 7,...
2995
1, 3, 4...
3918
1, 5, 6, 11
2996
1, 5, 6...
2721
10.95.21
2408
100 farbige Linien, eng, Faber-Castell Polychromos II [100 colored lines, compact, Faber-Castell Polychromos II]
4855
1012213
2119
11 cu.
1113
11-2/88
2409
120 farbige Linien, eng, System Caran d'Ache [120 colored lines, compact, System Caran d'Ache]
3922
125 Cedar Street, 8N NYC July 30, 2002
2165
18 Factors of 3 Bands Each, Delphi Series
3713
1960: The American Dream I, from The Decade portfolio
1677
2 a.m. 2-7-67
1324
2/7/89
2373
20 Square Grid #4 / 20 Square Grid #5
3621
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